| INSTITUTE OF MEDI®VAL MUSIC/INSTITUT DE MUSIQUE MƒDIƒVALE | ||||||
| INSTITUT F†R MITTELALTERLICHE MUSIKFORSCHUNG | ||||||
| UNSERE VER…FFENTLICHUNGEN/OUR PUBLICATIONS/ NOS PUBLICATIONS/ EDITIONES NOSTR® | ||||||
| Veršffentlichungen Mittelalterlicher Musikhandschriften | ||||||
| Publications of Medi¾val Musical Manuscripts | ||||||
| ISBN | Vol. | Author/Title - Autor/Titel - Auteur/Titre | Price/Preis/Prix (EURO Û) | |||
| 0-912024-01-1 | Vol.I | Madrid 20486 | o.p./vergriffen | |||
| 0-912024-02-x | Vol.II | WolfenbŸttel 1099 (Helmst. 1206) | o.p./vergriffen | |||
| 0-912024-03-8 | Vol.III | Eine zentrale Quelle der Notre Dame- Musik | o.p./vergriffen | |||
| 0-912024-04-6 | Vol.IV | Paris, nouv. acq. fr. 13531 | 15,50 | |||
| 0-912024-05-4 | Vol.V | Worcester, Add. 68 | 18,50 | |||
| 0-912024-06-2 | Vol.VI | Oxford, latin liturgical d 20 | 25,00 | |||
| 0-912024-07-0 | Vol.VII | Opera omnia Faugues | 31,00 | |||
| 0-912024-08-9 | Vol.VIII | Sevilla, 5-I-43 & Paris, nouv. acq. fr. 4379 | 37,00 | |||
| 0-912024-09-7 | Vol.IX | Carmina burana | o.p./vergriffen | |||
| 0-912024-10-0 | Vol.X | Firenze, pluteo 29,1 (Pars 1a) | 82,00 | |||
| 0-912024-11-9 | Vol.XI | Firenze, pluteo 29,1 (Pars 2a) | 82,00 | |||
| 0-912024-12-7 | Vol.XII | Dijon, Bibliothque Publique, Ms. 517 | 98,00 | |||
| 0-912024-13-5 | Vol.XIII | Canberra, Nan-Kivell Collection | 36,00 | |||
| 0-931902-54-1 | Vol.XIV | Paris, Bibliothque Nationale, fonds latin 1139 | 110,00 | |||
| 0-931902-55-x | Vol.XV | Paris, Bibliothque Nationale, fonds latin 3719 | 95,00 | |||
| 0-931902-56-8 | Vol.XVI | Paris, fonds latin 35449 & London, Add. 36881 | 60,00 | |||
| 0-931902-62-2 | Vol.XVII | Cambridge, University Library Ff.i.17 (1) | 64,00 | |||
| 0-931902-68-1 | Vol.XVIII | Paris, Bibliothque Nationale, fonds latin 7211 | 92,00 | |||
| 0-931902-90-8 | Vol.XIX | Firenze, Bibl. Naz. Cen., Con. Soppressi, F.III.565 | 104,00 | |||
| 0-931902-93-2 | Vol.XX | Oxford, Ms. Lat. Liturg. b 5 | 320,00 | |||
| 1-896926-03-7 | Vol.XXI | Utrecht, Bibl. Rijksuniversiteit, Ms. 406 (3.J.7) | 240,00 | |||
| 1-896926-06-1 | Vol.XXII | National Library of Wales, Ms.20541 E (Penpoint Antiphonal) | 400,00 | |||
| 1-896926-17-7 | Vol.XXIII | Oxford, Ms. e Mus. 126 (York Processional) | 210,00 | |||
| 1-896926-20-7 | Vol. XXIV/1 | Mss Avranches, Bibliothque municipale 236,237. | 180,00 | |||
| 1-896926-54-1 | Vol. XXIV/2 | Paris, Bibliothque Nationale, fonds latin 10509 | 88,00 | |||
| 1-896926-26-6 | Vol. XXV/1 | Lambeth Palace, Sion College MS L1 (York Breviary) - 1 | 200,00 | |||
| 1-896926-27-4 | Vol. XXV/2 | Lambeth Palace, Sion College MS L1 (York Breviary) - 2 | 180,00 | |||
| 1-896926-30-4 | Vol. XXVI | Paris, Bibliothue Nationale, fonds latin 1143 | 90,00 | |||
| 1-896926-38-x | Vol. XXVII/1 | Salamanca, Archivo de la Catedral, Ms 5 | 96,00 | |||
| 1-896926-39-8 | Vol. XXVII/2 | Salamanca, Archivo de la Catedral, Ms 6 | 140,00 | |||
| 1-896926-40-1 | Vol. XXVII/3 | Salamanca, Archivo de la Catedral, Ms 7 | 120,00 | |||
| 1-896926-41-x | Vol. XXVII/4 | Salamanca, Archivo de la Catedral, Ms 8 | 120,00 | |||
| 1-896926-49-5 | Vol. XXVIII | Liber sequentiarum et sacramentarium de Sibenik | 80,00 | |||
| 1-896926-50-9 | Vol. XXIX | Vilnius, Academy of Sciences, Dept. of Manuscripts, F22-95 | 110,00 | |||
| 1-896926-55-x | Vol. XXX | L'antiphonaire de la Paix des Princes chrŽtien (St Omer Ms) | 192,00 | |||
| 1-896926-60-6 | Vol. XXXI | Utrecht, Universiteitsbibliotheek, Hs. 16 H 34 | 148,00 | |||
| 1-896926-75-4 | Vol. XXXII | MŸnchen, Bayerische Staatsbibliothek, Clm. 14965b | 116,00 | |||
| 1-896926-79-6 | Vol. XXXIII | Oxford, Bodleian Library, MS Selden Supra 27 | 208,00 | |||
| 1-896926-82-7 | Vol. XXXIV/1 | Linz, Upper Austrian State Library, Codex 290 (183) Volume 1 | 180,00 | |||
| 1-896926-85-1 | Vol. XXXIV/2 | Linz, Upper Austrian State Library, Codex 290 (183) Volume 2 | 216,00 | |||
| 978-1-896926-93-3 | Vol. XXXV | Tallin, Historical Museum, Ms 237.1.228.a (xix.184; 24075) | 264,00 | |||
| Musical Theorists in Translation | ||||||
| ISBN | Vol. | Author/Title - Auteur/Titre - Autor/Titel | Price/Preis/Prix (EURO Û) | |||
| 0-912024-21-6 | Vol. I | Anonymous IV | o.p./vergriffen | |||
| 0-912024-22-4 | Vol. II | Robert de Handlo | 14,50 | |||
| 0-912024-14-3 | Vol. III | Nivers, Treatise on the Composition of Music | o.p./vergriffen | |||
| 0-912024-15-1 | Vol. IV | Huygens, Use and Nonuse of the Organ | o.p./vergriffen | |||
| 0-912024-16-x | Vol. V | Bernier, Principles of Composition | o.p./vergriffen | |||
| 0-912024-26-7 | Vol. VI | LouliŽ, Elements or Principles of Music | 26,00 | |||
| 0-912024-27-5 | Vol. VII | Bacilly, A Commentary upon the Art of Proper Singing | 52,00 | |||
| 0-912024-28-3 | Vol. VIII | Ad organum faciendum | 21,00 | |||
| 0-912024-29-1 | Vol. IX | Michel Corrette & Flute Playing in the 18th Century | 21,00 | |||
| 0-912024-30-5 | Vol. X | Johann Turmair, Music¾ Rudimenta | 36,00 | |||
| 0-912024-31-3 | Vol. XI | Mignot de la Voye, Treatise on Music | 21,00 | |||
| 0-931902-15-0 | Vol. XII | Brossard, Dictionnaire de la Musique | 57,00 | |||
| 0-931902-76-2 | Vol. XIII | Galliculus, The Introduction to Song Composition | 32,00 | |||
| 0-931902-44-4 | Vol. XIV | Niklaus Gengenbach's Musica nova: Newe Singekunst | 120,00 | |||
| 1-896926-00-2 | Vol. XV | Opusculum de musica ex traditione Iohannis Hollandrini | 48,00 | |||
| 1-896926-35-5 | Vol. XVI | Introductorium Music¾ of Johannes Keck | 56,00 | |||
| 1-896926-76-2 | Vol. XVII | Joanna Carter, Anleitung zur Singekunst of Thomas Selle | 80,00 | |||
| 1-896926-83-5 | Vol. XVIII | John Snyder, Theinred of Dover's De Legitimis Ordinibus | 116,00 | |||
| 978-1-896926-94-0 | Vol. XIX | Robert Copeland, Le Droict Chemin de Musique (Bourgeois) | 76,00 | |||
| Gesamtausgaben - Collected Works | ||||||
| ISBN | Vol. | Author/Title - Autor/Titel - Auteur/Titre | Price/Preis/Prix (EURO Û) | |||
| 0-912024-41-0 | Vol. I | Faugues, (Gesamtausgabe, Collected Works) | o.p./vergriffen | |||
| 0-912024-42-9 | Vol. II/1 | A. Rener, The Motets | o.p./vergriffen | |||
| 0-912024-43-7 | Vol. II/2 | A. Rener, The Magnificats | 52,00 | |||
| 0-912024-45-3 | Vol. III/1 | Goudimel, Pseaumes en forme de Motetz, Teil 1 | 31,00 | |||
| 0-912024-46-1 | Vol. III/2 | Goudimel, Pseaumes en forme de Motetz, Teil 2 | 31,00 | |||
| 0-912024-47-x | Vol. III/3 | Goudimel, Pseaumes en forme de Motetz, Teil 3 | 31,00 | |||
| 0-912024-48-8 | Vol. III/4 | Goudimel, Pseaumes en forme de Motetz, Teil 4 | 31,00 | |||
| 0-912024-49-6 | Vol. III/5 | Goudimel, Pseaumes en forme de Motetz, Teil 5 | 31,00 | |||
| 0-912024-50-x | Vol. III/6 | Goudimel, Pseaumes en forme de Motetz, Teil 6 | 31,00 | |||
| 0-912024-51-8 | Vol. III/7 | Goudimel, Pseaumes en forme de Motetz, Teil 7 | 31,00 | |||
| 0-912024-52-6 | Vol. III/8 | Goudimel, Pseaumes en forme de Motetz, Teil 8 | 31,00 | |||
| 0-912024-53-4 | Vol. III/9 | Goudimel, 150 Pseaumes de 1564/1565 ("Jaqui") | 31,00 | |||
| 0-912024-54-2 | Vol. III/10 | Goudimel, 150 Pseaumes de 1568/1580 ("St-AndrŽ") | 62,00 | |||
| 0-912024-55-0 | Vol. III/11 | Goudimel, Motets latins & Magnificats | 31,00 | |||
| 0-912024-56-9 | Vol. III/12 | Goudimel, Les Messes | 62,00 | |||
| 0-912024-57-7 | Vol. III/13 | Goudimel, Les Chansons | 62,00 | |||
| 0-912024-58-5 | Vol. III/14 | Goudimel, Opera dubia | 62,00 | |||
| 0-912024-60-7 | Vol. IV/1 | Cabez—n, I: Duos, Kyries, Variationen | o.p./vergriffen | |||
| 0-912024-61-5 | Vol. IV/2 | Cabez—n, II: 27 Tientos | 33,00 | |||
| 0-912024-62-3 | Vol. IV/3 | Cabez—n, III: Versos y Fugas | 33,00 | |||
| 0-912024-63-1 | Vol. IV/4 | Cabez—n, IV: Hymnen & Fabordones | 33,00 | |||
| 0-912024-64-x | Vol. IV/5 | Cabez—n, V: Intabulationen & Opera incerta | 33,00 | |||
| 0-912024-65-8 | Vol. V | N. de Radom, (Gesamtausgabe, Collected Works) | o.p./vergriffen | |||
| 0-912024-66-6 | Vol. VI/1 | Caron, I: 3 Messen | 52,00 | |||
| 0-912024-67-4 | Vol. VI/2 | Caron, II: 2 Messen und Chansons | 52,00 | |||
| 0-912024-36-4 | Vol. VII/1a | Merula, Vol. I, - Partitura | 62,00 | |||
| 0-912024-44-5 | Vol. VII/1b | Merula, Vol. I, - Voci strumentali | 46,00 | |||
| 0-912024-38-0 | Vol. VII/2a | Merula, Vol. II, - Partitura | 62,00 | |||
| 0-912024-39-9 | Vol. VII/3a | Merula, Vol. IV, la parte - Partitura | 62,00 | |||
| 0-912024-40-2 | Vol. VII/4a | Merula, Vol. IV, 2a parte - Partitura | 62,00 | |||
| 0-912024-20-8 | Vol. VII/2b-4b | Merula, Vol. II & IV, - Voci strumentali | 77,00 | |||
| 0-912024-69-0 | Vol. VIII/1 | Galliculus, I: 3 Messen | 49,00 | |||
| 0-931902-59-2 | Vol. VIII/2 | Galliculus, II: 3 Magnificats | 80,00 | |||
| 0-931902-66-5 | Vol. VIII/3 | Galliculus, III: Motets | 86,00 | |||
| 0-931902-74-6 | Vol. VIII/4 | Galliculus, IV: Isagoge de Composicione Cantus | 52,00 | |||
| 0-912024-70-4 | Vol. IX/1 | Eustache du Caurroy, I: Fantaisies ˆ 3-6 parties | 49,00 | |||
| 0-931902-20-7 | Vol. X/1 | Notre-Dame & Related Conductus, I: 4 & 3pt Conductus | 82,00 | |||
| 0-931902-21-5 | Vol. X/2 | Notre-Dame & Related Conductus, II: 3pt Conductus | 72,00 | |||
| 0-912024-17-8 | Vol. X/3 | Notre-Dame & Related Conductus, III: 2pt Conductus | 72,00 | |||
| 0-931902-22-3 | Vol. X/4 | Notre-Dame & Related Conductus, IV: 3pt Conductus | 72,00 | |||
| 0-931902-11-8 | Vol. X/5 | Notre-Dame & Related Conductus, V: 2pt Conductus | 46,00 | |||
| 0-912024-18-6 | Vol. X/6 | Notre-Dame & Related Conductus, VI: 1pt Conductus | 72,00 | |||
| 0-931902-23-1 | Vol. X/7 | Notre-Dame & Related Conductus, VII: 1pt Conductus | forthcoming/ˆ para”tre | |||
| 0-931902-12-6 | Vol. X/8 | Notre-Dame & Related Conductus, VIII: 1pt Conductus | 46,00 | |||
| 0-931902-24-x | Vol. X/9 | Notre-Dame & Related Conductus, IX: 3pt Conductus | 72,00 | |||
| 0-931902-25-8 | Vol. X/10 | Notre-Dame & Related Conductus, X: 2pt Conductus | 82,00 | |||
| 0-931902-26-6 | Vol. X/11 | Notre-Dame & Related Conductus, XI: Bohemian Sources | forthcoming/ˆ para”tre | |||
| 0-912024-68-2 | Vol. XI/1 | Antoine de FŽvin, I: 4 Messen | 52,00 | |||
| 0-931902-82-7 | Vol. XI/2 | Antoine de FŽvin, Messen (II) / Masses (II) | 108,00 | |||
| 0-931902-89-4 | Vol. XI/3 | A.de FŽvin, Lamentations, Magnificats, Motets, Chansons | 88,00 | |||
| 0-931902-41-x | Vol. XI/4 | Antoine de FŽvin, Opera Dubia, Fragments, Intabulations | 72,00 | |||
| 0-912024-59-3 | Vol. XII/1 | Crist—bal de Gal‡n, (Obras completas): Misa de Difuntos | 52,00 | |||
| 0-931902-69-x | Vol. XII/2 | Crist—bal de Gal‡n, Obras litœrgicas | 90,00 | |||
| 0-931902-70-3 | Vol. XII/3 | Crist—bal de Gal‡n, Obras litœrgicas . | 130,00 | |||
| 0-931902-78-9 | Vol. XII/4 | Crist—bal Gal‡n, Solos, duos y tr’os | 116,00 | |||
| 0-931902-95-9 | Vol. XII/5 | Crist—bal Gal‡n, Cuartetos/Quartets | 120,00 | |||
| 1-896926-15-0 | Vol. XII/6 | Crist—bal Gal‡n, Cuartetos, Quintetos y Sextetos | 80,00 | |||
| 1-896926-46-0 | Vol. XII/7 | Crist—bal Gal‡n, Sextetos y Septetos | 140,00 | |||
| 1-896926-56-8 | Vol. XII/8 | Crist—bal Gal‡n, Octetos 1-8 | 90,00 | |||
| 1-896926-63-0 | Vol. XII/9 | Crist—bal Gal‡n, Octetos 9-15 | 108,00 | |||
| 1-896926-74-6 | Vol. XII/10 | Crist—bal Gal‡n, Octetos 16-22 | 108,00 | |||
| 978-1-896926-87-2 | Vol. XII/11 | Crist—bal Gal‡n, Obras para conjuntos de m‡s de ocho voces . . . . | 140,00 | |||
| 0-931902-77-0 | Vol. XIII | Robert de FŽvin, Masses and Motets | 85,00 | |||
| 0-931902-84-3 | Vol. XIV/1 | Francisco Pe–alosa, Twenty-Four Motets | 104,00 | |||
| 1-896926-19-3 | Vol. XIV/2 | Francisco Pe–alosa, The Lamentations of Jeremiah | 60,00 | |||
| 0-931902-86-x | Vol. XV | Melchior Neusidler, Intabolatura di Liuto (1566). | 76,00 | |||
| 1-896926-07-x | Vol. XVI/1 | Jean Maillard, The Masses. | 70,00 | |||
| 1-896926-21-5 | Vol. XVII/1 | Capella Sistina 51. Bibl. Apost. Vaticana: Liber Missarum | 96,00 | |||
| 1-896926-25-8 | Vol. XVII/2 | Capella Sistina 51. Bibl. Apost. Vaticana: Liber Missarum (2) | 98,00 | |||
| 1-896926-37-1 | Vol. XVII/3 | Capella Sistina 51. Bibl. Apost. Vaticana: Liber Missarum (3) | 106,00 | |||
| 1-896926-59-2 | Vol. XVII/4 | Capella Sistina 51. Bibl. Apost. Vaticana: Liber Missarum (4) | 120,00 | |||
| 1-896926-65-7 | Vol. XVII/5 | Capella Sistina 51. Bibl. Apost. Vaticana: Liber Missarum (5) | 112,00 | |||
| 1-896926-66-5 | Vol. XVII/6 | Capella Sistina 51. Bibl. Apost. Vaticana: Liber Missarum (6) | 126,00 | |||
| 1-896926-34-7 | Vol. XVIII | Hans Tischler, ed. Songs of Master Trouvre: Gace BrulŽ | 72,00 | |||
| 1-896926-42-8 | Vol. XIX | Hans Tischler, ed. The Circle Around Gace BrulŽ | 74,00 | |||
| 1-896926-47-9 | Vol. XX | Hans Tischler, ed. The Earliest Laude: The Cortona Hymnal | 48,00 | |||
| 1-896926-48-7 | Vol. XXI | Terence Bailey, ed. The Transitoria of the Ambrosian Mass | 52,00 | |||
| 1-896926-57-6 | Vol. XXII | Jane Hardie, ed. The Lamentations of Jeremiah. Ten 16th-c. Prints | 116,00 | |||
| 1-896926-58-4 | Vol. XXIII | Orazio Vecchi, Le Veglie di Siena Ed. Don Beecher | 92,00 | |||
| also available in a performing edition | 50,00 | |||||
| 1-896926-69-x | Vol. XXIV/1 | Hans Tischler, The Earliest Polyphonic Art Music (1) | 90,00 | |||
| 1-896926-70-3 | Vol. XXIV/2 | Hans Tischler, The Earliest Polyphonic Art Music (2) | 82,00 | |||
| 1-896926-84-3 | Vol. XXV | Hans Tischler, Trouvre Lyrics with Melodies | 46,00 | |||
| 978-1-896926-86-5 | Vol. XXVI | G. Wagstaff, Matins for the Dead in 16th-Century Colonial Mexico. . . . | 84,00 | |||
| 978-1-926664-03-3 | Vol. xxvii/1 | John Karr, Anthology of 15c Italian Psalms | 90,00 | |||
| Wissenschaftliche Abhandlungen - Musicological Studies | ||||||
| ISBN | Vol. | Author/Title - Autor/Titel - Auteur/Titre | Price/Preis/Prix (EURO Û) | |||
| 0-912024-08-8 | Vol. I | L. Dittmer, Auszug aus "The Worcester Music Fragments" | o.p./vergriffen | |||
| 0-912024-72-0 | Vol. II | G. Schuetze, An Introduction to Faugues | 22,00 | |||
| 0-912024-73-9 | Vol. III | E. Trumble, Fauxbourdon, an Historical Survey, I | 15,50 | |||
| 0-912024-74-7 | Vol. IV | L. Spie§, Historical Musicology | o.p./vergriffen | |||
| 0-912024-75-5 | Vol. V | S. Levarie, Fundamentals of Harmony | 4,00 | |||
| 0-912024-76-3 | Vol. VI | E. Southern, The Buxheim Organ Book | o.p./vergriffen | |||
| 0-912024-71-2 | Vol. VII | F. Ludwig, Repertorium organorum, Band I,1 | o.p./vergriffen | |||
| 0-912024-78-x | Vol. VIII | C. Jacobs, Tempo Notation in Renaissance Spain | 21,00 | |||
| 0-912024-79-8 | Vol. IX | E. Thomson, An Introduction to Caron | o.p./vergriffen | |||
| 0-912024-80-1 | Vol. X | H. Tischler, Structural Analysis..Mozart's Piano Concertos | 37,00 | |||
| 0-912024-81-x | Vol. XI | V. Mattfeld, Georg Rhaw's Publications for Vespers | 31,00 | |||
| 0-912024-82-8 | Vol. XII | E. Borroff, An Introduction to E. Jacquet de la Guerre | 25,00 | |||
| 0-912024-83-6 | Vol. XIII | F-J Smith, The Speculum Music¾ of Jacobus Leodiensis, I | 12,50 | |||
| 0-912024-84-4 | Vol. XIV | J. Travis, Miscellanea Musica Celtica | 21,00 | |||
| 0-912024-85-2 | Vol. XV | C. W. Brockett, Antiphons, Resp., ...the Mozarabic Rite | 62,00 | |||
| 0-912024-86-0 | Vol. XVI | F. Crane, Materials for Study of 15th-Century Basse Danse | 31,00 | |||
| 0-912024-87-9 | Vol. XVII | F. Ludwig, Repertorium organorum, Band II | 41,00 | |||
| 0-912024-88-7 | Vol. XVIII | A. A. Moorefield, An Introduction to Galliculus | 25,00 | |||
| 0-912024-89-5 | Vol. XIX | H. Orenstein, Die Refrainformen im Chansonnier Arsenal | 41,00 | |||
| 0-912024-90-9 | Vol. XX | R. Rasch, J. de Garlandia en de voor-franconische notatie | 41,00 | |||
| 0-912024-91-7 | Vol. XXI/1 | Marshall, Crecquillon Motetten, I: Introduction | 31,00 | |||
| 0-912024-92-5 | Vol. XXI/2 | Marshall, Crecquillon Motetten, II: Opus sacrarum cantionum | 41,00 | |||
| 0-912024-93-3 | Vol. XXI/3 | Marshall, Crecquillon Motetten, III: Sammeldrucke | 41,00 | |||
| 0-912024-94-1 | Vol. XXI/4 | Marshall, Crecquillon Motetten, IV: Handschriften | 41,00 | |||
| 0-912024-95-x | Vol. XXII | F -J Smith, Speculum Music¾ of Jacobus Leodiensis, II | 52,00 | |||
| 0-912024-96-8 | Vol. XXIII/1 | I. J. Katz, Judeo-Spanish Ballads Jerusalem, I: Text | 52,00 | |||
| 0-931902-01-0 | Vol. XXIII/2 | I. J. Katz, Judeo-Spanish Ballads, II: Music & Disque | 52,00 | |||
| 0-931902-02-9 | Vol. XXIV/1 | G. Anderson, Latin Compositions in Fascicles., I: Text | 52,00 | |||
| 0-931902-03-7 | Vol. XXIV/2 | G. Anderson, Latin Compositions in Fascicles, II: Trans. | 52,00 | |||
| 0-912024-77-1 | Vol. XXV | J-M Bonh™te, Samuel Mareschal - Melodi¾ Suaves | 6,50 | |||
| 0-912024-37-2 | Vol. XXVI | F. Ludwig, Repertorium organorum, Band I,2 | 104,00 | |||
| 0-912024-23-2 | Vol. XXVII/1 | A. Atlas, The Cappella Giulia Chans., I: Commentary | 57,00 | |||
| 0-912024-24-0 | Vol. XXVII/2 | A. Atlas, The Cappella Giulia Chans., II: Transcriptions | 46,00 | |||
| 0-912024-25-9 | Vol. XXVIII | C. Wright, Music at the Court of Burgundy, 1364-1419 | 82,00 | |||
| 0-912024-32-1 | Vol. XXIX | S. Levarie & E. LŽvy, Dictionary of Musical Morphology | 26,00 | |||
| 0-912024-33-x | Vol. XXX/1 | N. van Deusen, Music at Nevers Cathedral, I: Commentary | 52,00 | |||
| 0-912024-34-8 | Vol. XXX/2 | N. van Deusen, Music at Nevers Cathedral, II: Edition | 52,00 | |||
| 0-931902-04-5 | Vol. XXXI/1 | E. Cramer, Victoria, Off. Heb. Sanct¾, I: Introduction | o.p/vergriffen | |||
| 0-931902-05-3 | Vol. XXXI/2 | E. Cramer, Victoria, Off. Heb. Sanct¾, II: Maundy Thursday | 31,00 | |||
| 0-931902-06-1 | Vol. XXXI/3 | E. Cramer, Victoria, Off. Heb. Sanct¾, III: Good Friday | 31,00 | |||
| 0-931902-07-x | Vol. XXXI/4 | E. Cramer, Victoria, Off. Heb. Sanct¾, IV: Holy Saturday | 31,00 | |||
| 0-912024-97-6 | Vol. XXXII/1 | N. Labelle, Diff. Styles Psaume 1539-72, I: Commentaire | 41,00 | |||
| 0-912024-98-4 | Vol. XXXII/2 | N. Labelle, Diff. Styles Psaume 1539-72, II: Trans. A | 72,00 | |||
| 0-912024-99-2 | Vol. XXXII/3 | N. Labelle, Diff. Styles Psaume 1539-72, III: Trans. B | 72,00 | |||
| 0-912024-35-6 | Vol. XXXIII | R. Falck, Notre Dame Conductus, Study of Repertory | 77,00 | |||
| 0-931902-13-4 | Vol. XXXIV | C. Polin, The ap Huw Manuscript | 62,00 | |||
| 0-931902-14-2 | Vol. XXXV | B. Gillingham, Polyphonic Sequences in WolfenbŸttel 677 | 31,00 | |||
| 0-931902-17-7 | Vol. XXXVI/1 | M. Hanen, Chans. El Escorial IV.a.24, l: Commentary | 41,00 | |||
| 0-931902-18-5 | Vol. XXXVI/2 | M. Hanen, Chans. El Escorial IV.a.24, II: Edition A | o.p./vergriffen | |||
| 0-931902-19-3 | Vol. XXXVI/3 | M. Hanen, Chans. El Escorial IV.a.24, III: Edition B | o.p./vergriffen | |||
| 0-931902-16-9 | Vol. XXXVII | Korf, Louis Moreau Gottschalk | 41,00 | |||
| 0-931902-09-6 | Vol. XXXVIII/1 | Soehnlen/Bradshaw, Diruta, Il Transilvano, Part 1 | 52,00 | |||
| 0-931902-10-x | Vol. XXXVIII/2 | Soehnlen/Bradshaw, Diruta, Il Transilvano, Part 2 | 52,00 | |||
| 0-931902-27-4 | Vol. XXXIX/1 | Gedenkschrift - G. Anderson, I: Bent-Gillingham | 82,00 | |||
| 0-931902-29-0 | Vol. XXXIX/2 | Gedenkschrift - G. Anderson, II: Godt-Tischler | 82,00 | |||
| 0-931902-30-4 | Vol. XL/1 | H. Tischler, Style Evolution Earliest Motets, 1: Text | 82,00 | |||
| 0-931902-31-2 | Vol. XL/2 | H. Tischler, Style Evolution Earliest Motets, 2: Tables | 82,00 | |||
| 0-931902-32-0 | Vol. XL/3a | H. Tischler, Style Evolution Earliest Motets, 3a: Catalog a. | 72,00 | |||
| 0-931902-39-8 | Vol. XL/3b | H. Tischler, Style Evolution Earliest Motets, 3b: Catalog b | 72,00 | |||
| 0-931902-28-2 | Vol. XLI/1 | L. Auld, Lyric Art of Pierre Perrin, I: Birth French Opera | 72,00 | |||
| 0-931902-33-9 | Vol. XLI/2 | L. Auld, Lyric Art of Pierre Perrin, II: Lyric Theory | 72,00 | |||
| 0-931902-34-7 | Vol. XLII | L. Auld, Lyric Art of Pierre Perrin, III: Recueil de Paroles | 72,00 | |||
| 0-931902-37-1 | Vol. XLIII | F-J Smith, The Speculum Music¾ of Jacobus Leodiensis, III | o.p./vergriffen | |||
| 0-931902-38-x | Vol. XLIV | B. Gillingham, Saint Martial Mehrstimmigkeit/Polyphony | 41,00 | |||
| 0-931902-51-7 | Vol. XLV | B. Gillingham, Medieval Polyphonic Sequences | 40,00 | |||
| 0-931902-52-5 | Vol. XLVI | B. Gillingham, Modal Rhythm | 40,00 | |||
| 0-931902-53-3 | Vol. XLVII | Terence Bailey, The Ambrosian Cantus | 52,00 | |||
| 0-931902-57-6 | Vol. XLVIII | Paul Merkley, Italian Tonaries | 60,00 | |||
| 0-931902-58-4 | Vol. XLIX | Paul Helmer, The Mass of Saint James | 80,00 | |||
| 0-931902-60-6 | Vol. L/1 | T. Bailey & P. Merkley, Antiphons of the Ambrosian Office | 70,00 | |||
| 0-931902-64-9 | Vol. L/2 | T. Bailey & P. Merkley, Melodies: Ambrosian Office-Antiph. | 160,00 | |||
| 0-931902-83-5 | Vol. L/3 | Terence Bailey, Antiphon and Psalm in Ambrosian Office | 78,00 | |||
| 0-931902-61-4 | Vol. LI | Andrew Hughes, Style & Symbol | 90,00 | |||
| 0-931902-63-0 | Vol. LII | Alma Colk Santosuosso, Letter Notations in Middle Ages | 90,00 | |||
| 0-931902-65-7 | Vol. LIII | B. Gillingham & P. Merkley, Festschrift Luther Dittmer | 80,00 | |||
| 0-931902-67-3 | Vol. LIV | Joseph A. Diamond, A Tradition of Three Tropes | 46,00 | |||
| 0-931902-71-1 | Vol. LV/1 | CANTUS, Aquitanian Antiphoner Toledo, Bibl. Cap. 44.2 | 80,00 | |||
| 0-931902-79-7 | Vol. LV/2 | CANTUS, Piacenza, Biblioteca Capitolare 65 | 84,00 | |||
| 0-931902-96-7 | Vol. LV/3 | CANTUS, Linz, Bundesst. Studienbibl. 290 (183) | 78,00 | |||
| 0-931902-98-3 | Vol. LV/4 | CANTUS, Cambrai, MŽdiat. Mun. 38 & Impr. XVIC4 | 96,00 | |||
| 0-931902-43-6 | Vol. LV/5 | CANTUS, Zwiefalten Amtiphonar, Karlsruhe aug, perg. LX | 90,00 | |||
| 1-896926-05-3 | Vol. LV/6 | CANTUS, Utrecht Antiphonar, Rijksuni. 406 (23.J.7) | 82,00 | |||
| 1-896926-14-2 | Vol. LV/7 | CANTUS, Four Klosterneuburg Antiphoners | 94,00 | |||
| 1-896926-33-9 | Vol. LV/8 | CANTUS, Salamanca, Archivo de la Catedral, 5,6,7,8. | 64,00 | |||
| 0-931902-72-x | Vol. LVI | Paul Merkley, Modal Assignment in Northern Tonaries | 95,00 | |||
| 0-931902-73-8 | Vol. LVII | M‡ire Egan-Buffet, Les Chansons de Claude Goudimel | 160,00 | |||
| 0-931902-75-4 | Vol. LVIII | Lulu Huang Chang, Confucius Kublai Khan: Music Poetics | 96,00 | |||
| 0-931902-80-0 | Vol. LIX | Harry B. Lincoln, Latin Motet: Ind. Printed Coll. 15-1600 | 220,00 | |||
| 0-931902-81-9 | Vol. LX/1 | Bryan Gillingham, Secular Medieval Latin Song: Anthology | 180,00 | |||
| 0-931902-91-6 | Vol. LX/2 | B. Gillingham, Critical Study of Secular Medieval Latin Song | 116,00 | |||
| 1-896926-11-8 | Vol. LX/3 | B. Gillingham, Social Background to Secular Medieval Song | 68,00 | |||
| 0-931902-85-1 | Vol. LXI | Johannis de Muris, Musica Speculativa, Ed. S. Fast | 92,00 | |||
| 0-931902-87-8 | Vol. LXII/1 | N. van Deusen, The Cultural Milieu of the Troubadours and Trouvres | 52,00 | |||
| 0-931902-94-0 | Vol. LXII/2 | N. van Deusen, The Medieval West meets Rest of the World | 50,00 | |||
| 1-896926-01-0 | Vol. LXII/3 | N. van Deusen, Tradition and Ecstasy: Agony of the 14th Century | 80,00 | |||
| 1-896926-13-4 | Vol. LXII/4 | N. van Deusen, Design & Production Medieval & Early Modern Europe | 64,00 | |||
| 1-896926-22-3 | Vol. LXII/5 | N. van Deusen, Medieval Germany: Associations & Delineations | 48,00 | |||
| 1-896926-36-3 | Vol. LXII/6 | N. van Deusen, Issues in Medieval Philosophy | 68,00 | |||
| 1-896926-68-1 | Vol. LXII/7 | Giudice/Deusen, Performing Ecstasies: Music, Dance & RitualÉ | 86,00 | |||
| 978-1-896926-91-9 | Vol. LXII/8 | N. van Deusen, Procession, Performance, Liturgy and Ritual | 92,00 | |||
| 0-931902-88-6 | Vol. LXIII | B. Gillingham, Indices to the Notre-Dame Facsimiles | 36,00 | |||
| 0-931902-92-4 | Vol. LXIV | J. Halmo, Antiphons for Paschal Triduum Easter | 58,00 | |||
| 0-931902-97-5 | Vol. LXV/1 | HISTORI®: B. Haggh, Two Offices for St. Elizabeth of Hungary | 48,00 | |||
| 0-931902-42-8 | Vol. LXV/2 | HISTORI®: D. Hiley, Historia Sancti Emmerammi | 52,00 | |||
| 1-896926-12-6 | Vol. LXV/3 | HISTORI®: R. Hankeln, Historia Sancti Dionysii Areopagit¾ | 50,00 | |||
| 1-896926-23-1 | Vol. LXV/4 | HISTORI®: R. Hankeln, Historia Sancti Erhardi | 44,00 | |||
| 1-896926-32-0 | Vol. LXV/5 | HISTORI®: Boyce/Coleman, Officium Presentationis BVM | 48,00 | |||
| 1-896926-43-6 | Vol. LXV/6 | HISTORI®: Jean-Francois Goudesenne, L'Office Romano Franc des Saints Martyrs . . . | 56,00 | |||
| 1-896926-45-2 | Vol. LXV/7 | HISTORI®: David Hiley, Histori¾ Sancti Wolfgangi Episcopi Ratisbonensis | 56,00 | |||
| 1-896926-53-3 | Vol. LXV/8 | HISTORI®: Juri Snoj, Two Aquileian Poetic Offices | 68,00 | |||
| 1-896926-61-4 | Vol. LXV/9 | HISTORI®: Zsuzsa Czag‡ny, Historia de Sancta Martha Hospita Christi | 48,00 | |||
| 1-896926-62-2 | Vol. LXV/10 | HISTORI®: Hermannus Contractus, Historia Sanct¾ Afr¾ Martyris | 64,00 | |||
| 1-896926-72-x | Vol. LXV/11 | HISTORI®: Martha Fickett, Historia Sancti Martini | 56,00 | |||
| 1-896926-80-0 | Vol. LXV/12 | HISTORI®: Klaus Thomayer, Historia Sancti Achacii | 52,00 | |||
| 1-896926-81-9 | Vol. LXV/13 | HISTORI®: Robert Klugseder, Historia Sancti Simperti | 62,00 | |||
| 978-1-896926-92-6 | Vol. LXV/14 | HISTORI®: Robert Klugseder, Historia Sancti Quirini/Chrisogoni | 64,00 | |||
| 978-1-926664-00-2 | Vol. LXV/15 | HISTORI®: Morne Bezuidenhout, Historia Sancti Ludgeri | 80,00 | |||
| 978-1-926664-01-9 | Vol. LXV/16 | HISTORI®: Benjamin Brand, Historia Sancti Reguli | 58,00 | |||
| 978-1-926664-02-6 | Vol. LXV/17a | HISTORI®: J.Bergsagel, Offices/Masses of St. Knud Lavard [facsimile] | 152,00 | |||
| 978-1-926664-05-7 | Vol. LXV/17b | HISTORI®: J. Bergsagel, Offices/Masses of St. Knud Lavard [edition] | 80,00 | |||
| 978-1-926664-06-4 | Vol. LXV/18 | HISTORI®: Laszlo Dobsay, Historia Sancti Stephani Regis | 65,00 | |||
| 0-931902-99-1 | Vol. LXVI | M‡ire Egan-Buffet, Adrian Le Roy, TraictŽ de Musique | 52,00 | |||
| 0-931902-40-1 | Vol. LXVII | K. E. Nelson, Medieval Liturgical Music of Zamora | 86,00 | |||
| 1-896926-02-9 | Vol. LXVIII | R. Smith, French Double & Triple Motets in Mont. H 196 | 124,00 | |||
| 1-896926-04-5 | Vol. LXIX | K. KŸgle, The Manuscript Ivrea, Bibl. capitolare 115 | 76,00 | |||
| 1-896926-08-8 | Vol. LXX/1 | P. Helmer, Le premier et le secont livre de fauvel | 112,00 | |||
| 1-896926-09-6 | Vol. LXXI/1 | Mallet et Thibaut, Manuscrits en Žcriture bŽnŽventaine... BŽnŽvent (1) | 168,00 | |||
| 1-896926-10-x | Vol. LXXI/2 | Mallet et Thibaut, Manuscrits en Žcriture bŽnŽventaine... BŽnŽvent (2) | 180,00 | |||
| 1-896926-16-9 | Vol. LXXII | Gillingham & Merkley, Chant and Its Peripheries: Essays for T. Bailey | 88,00 | |||
| 1-896926-18-5 | Vol. LXXIII | D. Pesce, Guido d'Arezzo's Regule Rithmice, Prologus in Antiphonarium and Epistola . . . | 120,00 | |||
| 1-896926-24-x | Vol. LXXIV | J. SzšvŽrffy, Lateinische Conductus-Texte des Mittelalters | 74,00 | |||
| 1-896926-29-0 | Vol. LXXV | Hans Tischler, Conductus and Contrafacta | 76,00 | |||
| 1-896926-31-2 | Vol. LXXVI | D. Wulstan, The Emperor's Old Clothes: the Rhythm of Medieval Song | 116,00 | |||
| 1-896926-44-4 | Vol. LXXVII | John Emerson/Lila Collamore, Albi, B.M. Rochegude, MS 44 | 120,00 | |||
| 1-896926-51-7 | Vol. LXXVIII | Stewart/Wulstan, The Poetic&Musical Legacy of Heloise and Abelard | 76,00 | |||
| 1-896926-52-5 | Vol. LXXIX | T. Bailey, The Transitoria of the Ambrosian Mass: Compositional... | 74,00 | |||
| 1-896926-64-9 | Vol. LXXX | George Sawa, Music Performance Practice in the Early cAbbāsid Era | 80,00 | |||
| [also available in paperback] | 40,00 | |||||
| 1-896926-67-3 | Vol. LXXXI | Heinz Ristory, Denkmodelle zur franzšsischen Mensuraltheorie des 14. Jahrhunderts | 144,00 | |||
| 1-896926-71-1 | Vol. LXXXII | M‡ire Buffet, Manuscript Sources of French Music Theory | 112,00 | |||
| 1-896926-73-8 | Vol. LXXXIII | Bryan Gillingham, Music in the Cluniac Ecclesia: a Pilot Project | 96,00 | |||
| 1-896926-77-0 | Vol. LXXXIV | Jane Hardie, Commemoration, Ritual and Performance: EssaysÉ | 66,00 | |||
| 1-896926-78-9 | Vol. LXXXV | Clyde Brockett, Letania and Preces:Music for Lenten-Rogations Litan | 56,00 | |||
| 978-1-896926-90-2 | Vol. LXXXVI | Illo Humphrey, Boethii: De Institutione arithmetica libri duo | 120,00 | |||
| 978-1-896926-89-6 | Vol. LXXXVII | Bailey/Dobszay, Studies in Medieval Chant and LiturgyÉDavid Hiley | 120,00 | |||
| 978-1-896926-88-9 | Vol. LXXXVIII | Heinz Ristory, Kritik und Methode in musikhistorischer SpaetmittelÉ | 40,00 | |||
| 978-1-896926-95-7 | Vol. LXXXIX | Bryan Gillingham, Indices to Fitzwilliam Museum MS 369 | 164,00 | |||
| 978-1-896926-96-4 | Vol. XC | D. Hiley/G. Kiss, Dies est leticie: Essays on Chant for Janka Szendrei | 128,00 | |||
| 978-1-896926-97-5 | Vol. XCI | Roman Hankeln, Political Plainchant: Music, Text and HistoricalÉ | 80,00 | |||
| 978-1-896926-99-5 | Vol. XCII | Terence Bailey, The Chants of the Ambrosian Offertory . . . | 76,00 | |||
| 978-1-896926-98-8 | Vol. XCIII | George Sawa, Rhythmic Theories and Practices in Arabic Writings | 120,00 | |||
| 978-1-926664-07-1 | Vol. XCIV | Duhamel/Swanson, Traditions in Western Plainchant/Les traditions du | 108,00 | |||
| 978-1-926664-08-8 | Vol. XCV | Heinz Ristory, Bibliographia Organorum Antiquorum | 76,00 | |||
| 978-1-926664-09-5 | Vol. XCVI | Kathleen Nelson, Cathedral, City and Cloister | 134,00 | |||
| 978-1-926664-10-1 | Vol. XCVII/1 | Andrew Hughes, The Versified Office: Sources, poetry, and chants | 112,00 | |||
| De Medicin¾ Rebus | ||||||
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| 0-931902-35-5 | Vol. III | L. Dittmer, Die Ludendorff BrŸcke in Remagen 7. MŠrz 1945 | 5,50 | |||
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