| INSTITUTE OF
MEDIÆVAL MUSIC/INSTITUT DE
MUSIQUE MÉDIÉVALE |
| INSTITUT
FÜR MITTELALTERLICHE MUSIKFORSCHUNG |
|
UNSERE VERÖFFENTLICHUNGEN/OUR PUBLICATIONS/ NOS PUBLICATIONS/ EDITIONES NOSTRÆ |
|
| Veröffentlichungen
Mittelalterlicher Musikhandschriften |
| Publications
of Mediæval Musical Manuscripts |
|
| ISBN |
Vol. |
Author/Title - Autor/Titel -
Auteur/Titre |
Price/Preis/Prix (EURO €) |
|
| 0-912024-01-1 |
Vol.I |
Madrid 20486 |
o.p./vergriffen |
|
| 0-912024-02-x |
Vol.II |
Wolfenbüttel 1099 (Helmst. 1206) |
o.p./vergriffen |
|
| 0-912024-03-8 |
Vol.III |
Eine zentrale Quelle der Notre
Dame- Musik |
o.p./vergriffen |
|
| 0-912024-04-6 |
Vol.IV |
Paris, nouv.
acq. frç. 13531 |
15,50 |
|
| 0-912024-05-4 |
Vol.V |
Worcester, Add.
68 |
18,50 |
|
| 0-912024-06-2 |
Vol.VI |
Oxford, latin
liturgical d 20 |
25,00 |
|
| 0-912024-07-0 |
Vol.VII |
Opera
omnia Faugues |
31,00 |
|
| 0-912024-08-9 |
Vol.VIII |
Sevilla, 5-I-43 & Paris, nouv. acq. frç. 4379 |
37,00 |
|
| 0-912024-09-7 |
Vol.IX |
Carmina
burana |
o.p./vergriffen |
|
| 0-912024-10-0 |
Vol.X |
Firenze, pluteo
29,1 (Pars 1a) |
82,00 |
|
| 0-912024-11-9 |
Vol.XI |
Firenze, pluteo
29,1 (Pars 2a) |
82,00 |
|
| 0-912024-12-7 |
Vol.XII |
Dijon, Bibliothèque Publique, Ms. 517 |
98,00 |
|
| 0-912024-13-5 |
Vol.XIII |
Canberra, Nan-Kivell Collection |
36,00 |
|
| 0-931902-54-1 |
Vol.XIV |
Paris, Bibliothèque Nationale, fonds
latin 1139 |
110,00 |
|
| 0-931902-55-x |
Vol.XV |
Paris, Bibliothèque Nationale, fonds
latin 3719 |
95,00 |
|
| 0-931902-56-8 |
Vol.XVI |
Paris,
fonds latin 35449 & London, Add. 36881 |
60,00 |
|
| 0-931902-62-2 |
Vol.XVII |
Cambridge, University Library Ff.i.17 (1) |
64,00 |
|
| 0-931902-68-1 |
Vol.XVIII |
Paris, Bibliothèque Nationale, fonds latin 7211 |
92,00 |
|
| 0-931902-90-8 |
Vol.XIX |
Firenze, Bibl.
Naz. Cen., Con. Soppressi, F.III.565 |
104,00 |
|
| 0-931902-93-2 |
Vol.XX |
Oxford, Ms.
Lat. Liturg. b 5 |
320,00 |
|
| 1-896926-03-7 |
Vol.XXI |
Utrecht, Bibl.
Rijksuniversiteit, Ms. 406 (3.J.7) |
240,00 |
|
| 1-896926-06-1 |
Vol.XXII |
National Library of Wales, Ms.20541 E (Penpoint Antiphonal) |
400,00 |
|
| 1-896926-17-7 |
Vol.XXIII |
Oxford, Ms.
e Mus. 126 (York Processional) |
210,00 |
|
| 1-896926-20-7 |
Vol. XXIV/1 |
Mss Avranches, Bibliothèque
municipale 236,237. |
180,00 |
|
| 1-896926-54-1 |
Vol. XXIV/2 |
Paris, Bibliothèque Nationale, fonds latin 10509 |
88,00 |
|
| 1-896926-26-6 |
Vol. XXV/1 |
Lambeth Palace, Sion College MS L1 (York Breviary) - 1 |
200,00 |
|
| 1-896926-27-4 |
Vol. XXV/2 |
Lambeth Palace, Sion College MS L1 (York Breviary) - 2 |
180,00 |
|
| 1-896926-30-4 |
Vol. XXVI |
Paris, Bibliothèue Nationale, fonds latin
1143 |
90,00 |
|
| 1-896926-38-x |
Vol. XXVII/1 |
Salamanca, Archivo de la Catedral, Ms 5 |
96,00 |
|
| 1-896926-39-8 |
Vol. XXVII/2 |
Salamanca,
Archivo de la Catedral, Ms 6 |
140,00 |
|
| 1-896926-40-1 |
Vol. XXVII/3 |
Salamanca, Archivo de la Catedral, Ms 7 |
120,00 |
|
| 1-896926-41-x |
Vol. XXVII/4 |
Salamanca, Archivo de la Catedral, Ms 8 |
120,00 |
|
| 1-896926-49-5 |
Vol. XXVIII |
Liber sequentiarum et sacramentarium de Sibenik |
80,00 |
|
| 1-896926-50-9 |
Vol. XXIX |
Vilnius, Academy of Sciences, Dept. of
Manuscripts, F22-95 |
110,00 |
|
| 1-896926-55-x |
Vol. XXX |
L'antiphonaire de la Paix des Princes chrétien (St Omer Ms) |
192,00 |
|
| 1-896926-60-6 |
Vol. XXXI |
Utrecht, Universiteitsbibliotheek, Hs. 16
H 34 |
148,00 |
|
| 1-896926-75-4 |
Vol. XXXII |
München, Bayerische Staatsbibliothek,
Clm. 14965b |
116,00 |
|
| 1-896926-79-6 |
Vol. XXXIII |
Oxford, Bodleian Library, MS Selden Supra
27 |
208,00 |
|
| 1-896926-82-7 |
Vol. XXXIV/1 |
Linz, Upper Austrian State Library, Codex
290 (183) Volume 1 |
180,00 |
|
| 1-896926-85-1 |
Vol. XXXIV/2 |
Linz, Upper Austrian State Library, Codex
290 (183) Volume 2 |
216,00 |
|
| 978-1-896926-93-3 |
Vol. XXXV |
Tallin, Historical Museum, Ms 237.1.228.a (xix.184; 24075) |
264,00 |
|
| |
|
| Musical
Theorists in Translation |
|
|
|
| ISBN |
Vol. |
Author/Title - Auteur/Titre -
Autor/Titel |
Price/Preis/Prix (EURO €) |
|
| 0-912024-21-6 |
Vol. I |
Anonymous IV |
o.p./vergriffen |
|
| 0-912024-22-4 |
Vol. II |
Robert
de Handlo |
14,50 |
|
| 0-912024-14-3 |
Vol. III |
Nivers, Treatise
on the Composition of Music |
o.p./vergriffen |
|
| 0-912024-15-1 |
Vol. IV |
Huygens, Use
and Nonuse of the Organ |
o.p./vergriffen |
|
| 0-912024-16-x |
Vol. V |
Bernier, Principles
of Composition |
o.p./vergriffen |
|
| 0-912024-26-7 |
Vol. VI |
Loulié, Elements
or Principles of Music |
26,00 |
|
| 0-912024-27-5 |
Vol. VII |
Bacilly, A Commentary upon the Art of Proper Singing |
52,00 |
|
| 0-912024-28-3 |
Vol. VIII |
Ad organum
faciendum |
21,00 |
|
| 0-912024-29-1 |
Vol. IX |
Michel Corrette & Flute
Playing in the 18th Century |
21,00 |
|
| 0-912024-30-5 |
Vol. X |
Johann Turmair, Musicæ Rudimenta |
36,00 |
|
| 0-912024-31-3 |
Vol. XI |
Mignot de la Voye, Treatise on Music |
21,00 |
|
| 0-931902-15-0 |
Vol. XII |
Brossard, Dictionnaire
de la Musique |
57,00 |
|
| 0-931902-76-2 |
Vol. XIII |
Galliculus, The
Introduction to Song Composition |
32,00 |
|
| 0-931902-44-4 |
Vol. XIV |
Niklaus Gengenbach's Musica
nova: Newe Singekunst |
120,00 |
|
| 1-896926-00-2 |
Vol. XV |
Opusculum de musica ex
traditione Iohannis Hollandrini |
48,00 |
|
| 1-896926-35-5 |
Vol. XVI |
Introductorium Musicæ of
Johannes Keck |
56,00 |
|
| 1-896926-76-2 |
Vol. XVII |
Joanna Carter, Anleitung zur Singekunst of Thomas Selle |
80,00 |
|
| 1-896926-83-5 |
Vol. XVIII |
John Snyder,
Theinred of Dover's De Legitimis Ordinibus |
116,00 |
|
| 978-1-896926-94-0 |
Vol. XIX |
Robert Copeland, Le Droict Chemin de Musique (Bourgeois) |
76,00 |
|
|
|
|
|
|
Gesamtausgaben - Collected Works |
|
|
|
| ISBN |
Vol. |
Author/Title - Autor/Titel -
Auteur/Titre |
Price/Preis/Prix (EURO €) |
|
| 0-912024-41-0 |
Vol. I |
Faugues, (Gesamtausgabe,
Collected Works) |
o.p./vergriffen |
|
| 0-912024-42-9 |
Vol. II/1 |
A. Rener, The
Motets |
o.p./vergriffen |
|
| 0-912024-43-7 |
Vol. II/2 |
A. Rener, The
Magnificats |
52,00 |
|
| 0-912024-45-3 |
Vol. III/1 |
Goudimel, Pseaumes
en forme de Motetz, Teil 1 |
31,00 |
|
| 0-912024-46-1 |
Vol. III/2 |
Goudimel, Pseaumes
en forme de Motetz, Teil 2 |
31,00 |
|
| 0-912024-47-x |
Vol. III/3 |
Goudimel, Pseaumes
en forme de Motetz, Teil 3 |
31,00 |
|
| 0-912024-48-8 |
Vol. III/4 |
Goudimel, Pseaumes
en forme de Motetz, Teil 4 |
31,00 |
|
| 0-912024-49-6 |
Vol. III/5 |
Goudimel, Pseaumes
en forme de Motetz, Teil 5 |
31,00 |
|
| 0-912024-50-x |
Vol. III/6 |
Goudimel, Pseaumes
en forme de Motetz, Teil 6 |
31,00 |
|
| 0-912024-51-8 |
Vol. III/7 |
Goudimel, Pseaumes
en forme de Motetz, Teil 7 |
31,00 |
|
| 0-912024-52-6 |
Vol. III/8 |
Goudimel, Pseaumes
en forme de Motetz, Teil 8 |
31,00 |
|
| 0-912024-53-4 |
Vol. III/9 |
Goudimel, 150
Pseaumes de 1564/1565 ("Jaqui") |
31,00 |
|
| 0-912024-54-2 |
Vol. III/10 |
Goudimel, 150
Pseaumes de 1568/1580 ("St-André") |
62,00 |
|
| 0-912024-55-0 |
Vol. III/11 |
Goudimel, Motets
latins & Magnificats |
31,00 |
|
| 0-912024-56-9 |
Vol. III/12 |
Goudimel, Les
Messes |
62,00 |
|
| 0-912024-57-7 |
Vol. III/13 |
Goudimel, Les
Chansons |
62,00 |
|
| 0-912024-58-5 |
Vol. III/14 |
Goudimel, Opera
dubia |
62,00 |
|
| 0-912024-60-7 |
Vol. IV/1 |
Cabezón, I: Duos,
Kyries, Variationen |
o.p./vergriffen |
|
| 0-912024-61-5 |
Vol. IV/2 |
Cabezón, II: 27
Tientos |
33,00 |
|
| 0-912024-62-3 |
Vol. IV/3 |
Cabezón, III: Versos y Fugas |
33,00 |
|
| 0-912024-63-1 |
Vol. IV/4 |
Cabezón, IV:
Hymnen & Fabordones |
33,00 |
|
| 0-912024-64-x |
Vol. IV/5 |
Cabezón, V: Intabulationen
& Opera incerta |
33,00 |
|
| 0-912024-65-8 |
Vol. V |
N. de Radom, (Gesamtausgabe,
Collected Works) |
o.p./vergriffen |
|
| 0-912024-66-6 |
Vol. VI/1 |
Caron, I: 3
Messen |
52,00 |
|
| 0-912024-67-4 |
Vol. VI/2 |
Caron, II: 2
Messen und Chansons |
52,00 |
|
| 0-912024-36-4 |
Vol. VII/1a |
Merula, Vol. I, - Partitura |
62,00 |
|
| 0-912024-44-5 |
Vol. VII/1b |
Merula, Vol. I, - Voci strumentali |
46,00 |
|
| 0-912024-38-0 |
Vol. VII/2a |
Merula, Vol. II, - Partitura |
62,00 |
|
| 0-912024-39-9 |
Vol. VII/3a |
Merula, Vol. IV, la parte - Partitura |
62,00 |
|
| 0-912024-40-2 |
Vol. VII/4a |
Merula, Vol. IV, 2a parte - Partitura |
62,00 |
|
| 0-912024-20-8 |
Vol. VII/2b-4b |
Merula, Vol. II & IV, - Voci strumentali |
77,00 |
|
| 0-912024-69-0 |
Vol. VIII/1 |
Galliculus, I: 3 Messen |
49,00 |
|
| 0-931902-59-2 |
Vol. VIII/2 |
Galliculus, II: 3 Magnificats |
80,00 |
|
| 0-931902-66-5 |
Vol. VIII/3 |
Galliculus, III: Motets |
86,00 |
|
| 0-931902-74-6 |
Vol. VIII/4 |
Galliculus, IV: Isagoge de Composicione Cantus |
52,00 |
|
| 0-912024-70-4 |
Vol. IX/1 |
Eustache du Caurroy, I: Fantaisies à 3-6 parties |
49,00 |
|
| 0-931902-20-7 |
Vol. X/1 |
Notre-Dame & Related
Conductus, I: 4 & 3pt Conductus |
82,00 |
|
| 0-931902-21-5 |
Vol. X/2 |
Notre-Dame & Related
Conductus, II: 3pt Conductus |
72,00 |
|
| 0-912024-17-8 |
Vol. X/3 |
Notre-Dame & Related
Conductus, III: 2pt Conductus |
72,00 |
|
| 0-931902-22-3 |
Vol. X/4 |
Notre-Dame & Related
Conductus, IV: 3pt Conductus |
72,00 |
|
| 0-931902-11-8 |
Vol. X/5 |
Notre-Dame & Related
Conductus, V: 2pt Conductus |
46,00 |
|
| 0-912024-18-6 |
Vol. X/6 |
Notre-Dame & Related
Conductus, VI: 1pt Conductus |
72,00 |
|
| 0-931902-23-1 |
Vol. X/7 |
Notre-Dame & Related
Conductus, VII: 1pt Conductus |
forthcoming/à paraître |
|
| 0-931902-12-6 |
Vol. X/8 |
Notre-Dame
& Related Conductus, VIII: 1pt Conductus |
46,00 |
|
| 0-931902-24-x |
Vol. X/9 |
Notre-Dame
& Related Conductus, IX: 3pt Conductus |
72,00 |
|
| 0-931902-25-8 |
Vol. X/10 |
Notre-Dame & Related
Conductus, X: 2pt Conductus |
82,00 |
|
| 0-931902-26-6 |
Vol. X/11 |
Notre-Dame & Related
Conductus, XI: Bohemian Sources |
forthcoming/à paraître |
|
| 0-912024-68-2 |
Vol. XI/1 |
Antoine de Févin, I: 4 Messen |
52,00 |
|
| 0-931902-82-7 |
Vol. XI/2 |
Antoine de Févin, Messen (II) / Masses (II) |
108,00 |
|
| 0-931902-89-4 |
Vol. XI/3 |
A.de Févin, Lamentations,
Magnificats, Motets, Chansons |
88,00 |
|
| 0-931902-41-x |
Vol. XI/4 |
Antoine de Févin, Opera Dubia, Fragments, Intabulations |
72,00 |
|
| 0-912024-59-3 |
Vol. XII/1 |
Cristóbal de Galán, (Obras
completas): Misa de Difuntos |
52,00 |
|
| 0-931902-69-x |
Vol. XII/2 |
Cristóbal de Galán, Obras litúrgicas |
90,00 |
|
| 0-931902-70-3 |
Vol. XII/3 |
Cristóbal de Galán, Obras litúrgicas . |
130,00 |
|
| 0-931902-78-9 |
Vol. XII/4 |
Cristóbal Galán, Solos, duos y tríos |
116,00 |
|
| 0-931902-95-9 |
Vol. XII/5 |
Cristóbal Galán, Cuartetos/Quartets |
120,00 |
|
| 1-896926-15-0 |
Vol. XII/6 |
Cristóbal Galán, Cuartetos, Quintetos y Sextetos |
80,00 |
|
| 1-896926-46-0 |
Vol. XII/7 |
Cristóbal Galán, Sextetos y
Septetos |
140,00 |
|
| 1-896926-56-8 |
Vol. XII/8 |
Cristóbal Galán, Octetos 1-8 |
90,00 |
|
| 1-896926-63-0 |
Vol. XII/9 |
Cristóbal Galán, Octetos 9-15 |
108,00 |
|
| 1-896926-74-6 |
Vol. XII/10 |
Cristóbal Galán, Octetos 16-22 |
108,00 |
|
| 978-1-896926-87-2 |
Vol. XII/11 |
Cristóbal Galán, Obras para conjuntos de más de ocho voces . . . . |
140,00 |
|
| 0-931902-77-0 |
Vol. XIII |
Robert de Févin, Masses and Motets |
85,00 |
|
| 0-931902-84-3 |
Vol. XIV/1 |
Francisco Peñalosa, Twenty-Four Motets |
104,00 |
|
| 1-896926-19-3 |
Vol. XIV/2 |
Francisco Peñalosa, The Lamentations of Jeremiah |
60,00 |
|
| 0-931902-86-x |
Vol. XV |
Melchior Neusidler, Intabolatura di Liuto (1566). |
76,00 |
|
| 1-896926-07-x |
Vol. XVI/1 |
Jean Maillard, The Masses. |
70,00 |
|
| 1-896926-21-5 |
Vol. XVII/1 |
Capella Sistina 51. Bibl. Apost.
Vaticana: Liber Missarum |
96,00 |
|
| 1-896926-25-8 |
Vol. XVII/2 |
Capella Sistina 51. Bibl. Apost.
Vaticana: Liber Missarum (2) |
98,00 |
|
| 1-896926-37-1 |
Vol. XVII/3 |
Capella Sistina 51. Bibl. Apost.
Vaticana: Liber Missarum (3) |
106,00 |
|
| 1-896926-59-2 |
Vol. XVII/4 |
Capella Sistina 51. Bibl. Apost.
Vaticana: Liber Missarum (4) |
120,00 |
|
| 1-896926-65-7 |
Vol. XVII/5 |
Capella Sistina 51. Bibl. Apost.
Vaticana: Liber Missarum (5) |
112,00 |
|
| 1-896926-66-5 |
Vol. XVII/6 |
Capella Sistina 51. Bibl. Apost.
Vaticana: Liber Missarum (6) |
126,00 |
|
| 1-896926-34-7 |
Vol. XVIII |
Hans Tischler,
ed. Songs of Master Trouvère: Gace Brulé |
72,00 |
|
| 1-896926-42-8 |
Vol. XIX |
Hans Tischler, ed. The Circle Around Gace Brulé |
74,00 |
|
| 1-896926-47-9 |
Vol. XX |
Hans Tischler, ed. The Earliest Laude: The Cortona Hymnal |
48,00 |
|
| 1-896926-48-7 |
Vol. XXI |
Terence Bailey, ed. The Transitoria of the Ambrosian Mass |
52,00 |
|
| 1-896926-57-6 |
Vol. XXII |
Jane Hardie, ed. The Lamentations of Jeremiah. Ten 16th-c. Prints |
116,00 |
|
| 1-896926-58-4 |
Vol. XXIII |
Orazio Vecchi, Le Veglie di Siena Ed. Don Beecher |
92,00 |
|
| |
|
also available in a performing
edition |
50,00 |
|
| 1-896926-69-x |
Vol. XXIV/1 |
Hans Tischler, The Earliest Polyphonic Art Music (1) |
90,00 |
|
| 1-896926-70-3 |
Vol. XXIV/2 |
Hans Tischler, The Earliest Polyphonic Art Music (2) |
82,00 |
|
| 1-896926-84-3 |
Vol. XXV |
Hans Tischler, Trouvère Lyrics with
Melodies |
46,00 |
|
| 978-1-896926-86-5 |
Vol. XXVI |
G. Wagstaff, Matins for the Dead in
16th-Century Colonial Mexico. . . . |
84,00 |
|
| 978-1-926664-03-3 |
Vol. xxvii/1 |
John Karr, Anthology of 15c Italian
Psalms |
90,00 |
|
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|
|
|
Wissenschaftliche Abhandlungen - Musicological
Studies |
|
|
|
| ISBN |
Vol. |
Author/Title - Autor/Titel -
Auteur/Titre |
Price/Preis/Prix (EURO €) |
|
| 0-912024-08-8 |
Vol. I |
L. Dittmer,
Auszug aus "The Worcester Music Fragments" |
o.p./vergriffen |
|
| 0-912024-72-0 |
Vol. II |
G. Schuetze, An
Introduction to Faugues |
22,00 |
|
| 0-912024-73-9 |
Vol. III |
E. Trumble, Fauxbourdon,
an Historical Survey, I |
15,50 |
|
| 0-912024-74-7 |
Vol. IV |
L. Spieß, Historical
Musicology |
o.p./vergriffen |
|
| 0-912024-75-5 |
Vol. V |
S. Levarie,
Fundamentals of Harmony |
4,00 |
|
| 0-912024-76-3 |
Vol. VI |
E. Southern,
The Buxheim Organ Book |
o.p./vergriffen |
|
| 0-912024-71-2 |
Vol. VII |
F. Ludwig,
Repertorium organorum, Band I,1 |
o.p./vergriffen |
|
| 0-912024-78-x |
Vol. VIII |
C. Jacobs,
Tempo Notation in Renaissance Spain |
21,00 |
|
| 0-912024-79-8 |
Vol. IX |
E. Thomson,
An Introduction to Caron |
o.p./vergriffen |
|
| 0-912024-80-1 |
Vol. X |
H. Tischler,
Structural Analysis..Mozart's Piano Concertos |
37,00 |
|
| 0-912024-81-x |
Vol. XI |
V. Mattfeld, Georg
Rhaw's Publications for Vespers |
31,00 |
|
| 0-912024-82-8 |
Vol. XII |
E. Borroff,
An Introduction to E. Jacquet de la Guerre |
25,00 |
|
| 0-912024-83-6 |
Vol. XIII |
F-J Smith, The
Speculum Musicæ of Jacobus Leodiensis, I |
12,50 |
|
| 0-912024-84-4 |
Vol. XIV |
J. Travis,
Miscellanea Musica Celtica |
21,00 |
|
| 0-912024-85-2 |
Vol. XV |
C. W. Brockett, Antiphons, Resp., ...the Mozarabic Rite |
62,00 |
|
| 0-912024-86-0 |
Vol. XVI |
F. Crane, Materials for Study of 15th-Century Basse Danse |
31,00 |
|
| 0-912024-87-9 |
Vol. XVII |
F. Ludwig,
Repertorium organorum, Band II |
41,00 |
|
| 0-912024-88-7 |
Vol. XVIII |
A. A. Moorefield, An Introduction to Galliculus |
25,00 |
|
| 0-912024-89-5 |
Vol. XIX |
H. Orenstein,
Die Refrainformen im Chansonnier Arsenal |
41,00 |
|
| 0-912024-90-9 |
Vol. XX |
R. Rasch,
J. de Garlandia en de voor-franconische notatie |
41,00 |
|
| 0-912024-91-7 |
Vol. XXI/1 |
Marshall,
Crecquillon Motetten, I: Introduction |
31,00 |
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| 0-912024-92-5 |
Vol. XXI/2 |
Marshall,
Crecquillon Motetten, II: Opus sacrarum cantionum |
41,00 |
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| 0-912024-93-3 |
Vol. XXI/3 |
Marshall,
Crecquillon Motetten, III: Sammeldrucke |
41,00 |
|
| 0-912024-94-1 |
Vol. XXI/4 |
Marshall,
Crecquillon Motetten, IV: Handschriften |
41,00 |
|
| 0-912024-95-x |
Vol. XXII |
F -J Smith,
Speculum Musicæ of Jacobus Leodiensis, II |
52,00 |
|
| 0-912024-96-8 |
Vol. XXIII/1 |
I. J. Katz,
Judeo-Spanish Ballads Jerusalem, I: Text |
52,00 |
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| 0-931902-01-0 |
Vol. XXIII/2 |
I. J. Katz,
Judeo-Spanish Ballads, II: Music & Disque |
52,00 |
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| 0-931902-02-9 |
Vol. XXIV/1 |
G. Anderson, Latin
Compositions in Fascicles., I: Text |
52,00 |
|
| 0-931902-03-7 |
Vol. XXIV/2 |
G. Anderson,
Latin Compositions in Fascicles, II: Trans. |
52,00 |
|
| 0-912024-77-1 |
Vol. XXV |
J-M Bonhôte,
Samuel Mareschal - Melodiæ Suaves |
6,50 |
|
| 0-912024-37-2 |
Vol. XXVI |
F. Ludwig,
Repertorium organorum, Band I,2 |
104,00 |
|
| 0-912024-23-2 |
Vol. XXVII/1 |
A. Atlas,
The Cappella Giulia Chans., I: Commentary |
57,00 |
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| 0-912024-24-0 |
Vol. XXVII/2 |
A. Atlas, The
Cappella Giulia Chans., II: Transcriptions |
46,00 |
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| 0-912024-25-9 |
Vol. XXVIII |
C. Wright,
Music at the Court of Burgundy, 1364-1419 |
82,00 |
|
| 0-912024-32-1 |
Vol. XXIX |
S. Levarie & E. Lévy, Dictionary of Musical Morphology |
26,00 |
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| 0-912024-33-x |
Vol. XXX/1 |
N. van Deusen, Music at Nevers Cathedral, I: Commentary |
52,00 |
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| 0-912024-34-8 |
Vol. XXX/2 |
N. van Deusen, Music at Nevers Cathedral, II: Edition |
52,00 |
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| 0-931902-04-5 |
Vol. XXXI/1 |
E. Cramer,
Victoria, Off. Heb. Sanctæ, I: Introduction |
o.p/vergriffen |
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Vol. XXXI/2 |
E. Cramer, Victoria,
Off. Heb. Sanctæ, II: Maundy Thursday |
31,00 |
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Vol. XXXI/3 |
E. Cramer,
Victoria, Off. Heb. Sanctæ, III: Good Friday |
31,00 |
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| 0-931902-07-x |
Vol. XXXI/4 |
E. Cramer,
Victoria, Off. Heb. Sanctæ, IV: Holy Saturday |
31,00 |
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| 0-912024-97-6 |
Vol. XXXII/1 |
N. Labelle,
Diff. Styles Psaume 1539-72, I: Commentaire |
41,00 |
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| 0-912024-98-4 |
Vol. XXXII/2 |
N. Labelle,
Diff. Styles Psaume 1539-72, II: Trans. A |
72,00 |
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| 0-912024-99-2 |
Vol. XXXII/3 |
N. Labelle, Diff.
Styles Psaume 1539-72, III: Trans. B |
72,00 |
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| 0-912024-35-6 |
Vol. XXXIII |
R. Falck, Notre
Dame Conductus, Study of Repertory |
77,00 |
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| 0-931902-13-4 |
Vol. XXXIV |
C. Polin,
The ap Huw Manuscript |
62,00 |
|
| 0-931902-14-2 |
Vol. XXXV |
B. Gillingham, Polyphonic Sequences in Wolfenbüttel 677 |
31,00 |
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| 0-931902-17-7 |
Vol. XXXVI/1 |
M. Hanen,
Chans. El Escorial IV.a.24, l: Commentary |
41,00 |
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| 0-931902-18-5 |
Vol. XXXVI/2 |
M. Hanen, Chans.
El Escorial IV.a.24, II: Edition A |
o.p./vergriffen |
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Vol. XXXVI/3 |
M. Hanen,
Chans. El Escorial IV.a.24, III: Edition B |
o.p./vergriffen |
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| 0-931902-16-9 |
Vol. XXXVII |
Korf, Louis
Moreau Gottschalk |
41,00 |
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Vol. XXXVIII/1 |
Soehnlen/Bradshaw, Diruta, Il Transilvano, Part 1 |
52,00 |
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Vol. XXXVIII/2 |
Soehnlen/Bradshaw, Diruta, Il Transilvano, Part 2 |
52,00 |
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| 0-931902-27-4 |
Vol. XXXIX/1 |
Gedenkschrift - G. Anderson, I: Bent-Gillingham |
82,00 |
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| 0-931902-29-0 |
Vol. XXXIX/2 |
Gedenkschrift - G. Anderson, II: Godt-Tischler |
82,00 |
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Vol. XL/1 |
H. Tischler,
Style Evolution Earliest Motets, 1: Text |
82,00 |
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| 0-931902-31-2 |
Vol. XL/2 |
H. Tischler,
Style Evolution Earliest Motets, 2: Tables |
82,00 |
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| 0-931902-32-0 |
Vol. XL/3a |
H. Tischler,
Style Evolution Earliest Motets, 3a: Catalog a. |
72,00 |
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| 0-931902-39-8 |
Vol. XL/3b |
H. Tischler, Style
Evolution Earliest Motets, 3b: Catalog b |
72,00 |
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| 0-931902-28-2 |
Vol. XLI/1 |
L. Auld,
Lyric Art of Pierre Perrin, I: Birth French Opera |
72,00 |
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Vol. XLI/2 |
L. Auld,
Lyric Art of Pierre Perrin, II: Lyric Theory |
72,00 |
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Vol. XLII |
L. Auld, Lyric
Art of Pierre Perrin, III: Recueil de Paroles |
72,00 |
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| 0-931902-37-1 |
Vol. XLIII |
F-J Smith, The
Speculum Musicæ of Jacobus Leodiensis, III |
o.p./vergriffen |
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Vol. XLIV |
B. Gillingham, Saint Martial Mehrstimmigkeit/Polyphony |
41,00 |
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Vol. XLV |
B. Gillingham, Medieval Polyphonic Sequences |
40,00 |
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Vol. XLVI |
B. Gillingham,
Modal Rhythm |
40,00 |
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Vol. XLVII |
Terence Bailey, The Ambrosian Cantus |
52,00 |
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Vol. XLVIII |
Paul Merkley, Italian Tonaries |
60,00 |
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Vol. XLIX |
Paul Helmer, The
Mass of Saint James |
80,00 |
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Vol. L/1 |
T. Bailey & P. Merkley, Antiphons of the Ambrosian Office |
70,00 |
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Vol. L/2 |
T. Bailey & P. Merkley, Melodies: Ambrosian Office-Antiph. |
160,00 |
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Vol. L/3 |
Terence Bailey, Antiphon and Psalm in Ambrosian Office |
78,00 |
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Vol. LI |
Andrew Hughes, Style & Symbol |
90,00 |
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| 0-931902-63-0 |
Vol. LII |
Alma Colk Santosuosso, Letter Notations in Middle Ages |
90,00 |
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Vol. LIII |
B. Gillingham & P. Merkley, Festschrift Luther Dittmer |
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Vol. LIV |
Joseph A. Diamond, A Tradition of Three Tropes |
46,00 |
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Vol. LV/1 |
CANTUS, Aquitanian Antiphoner Toledo, Bibl. Cap. 44.2 |
80,00 |
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Vol. LV/2 |
CANTUS,
Piacenza, Biblioteca Capitolare 65 |
84,00 |
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Vol. LV/3 |
CANTUS,
Linz, Bundesst. Studienbibl. 290 (183) |
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Vol. LV/4 |
CANTUS,
Cambrai, Médiat. Mun. 38 & Impr. XVIC4 |
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Vol. LV/5 |
CANTUS,
Zwiefalten Amtiphonar, Karlsruhe aug, perg. LX |
90,00 |
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Vol. LV/6 |
CANTUS,
Utrecht Antiphonar, Rijksuni. 406 (23.J.7) |
82,00 |
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Vol. LV/7 |
CANTUS, Four
Klosterneuburg Antiphoners |
94,00 |
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Vol. LV/8 |
CANTUS, Salamanca,
Archivo de la Catedral, 5,6,7,8. |
64,00 |
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Vol. LVI |
Paul Merkley,
Modal Assignment in Northern Tonaries |
95,00 |
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Vol. LVII |
Máire Egan-Buffet, Les Chansons de Claude Goudimel |
160,00 |
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Vol. LVIII |
Lulu Huang Chang, Confucius Kublai Khan: Music Poetics |
96,00 |
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Vol. LIX |
Harry B. Lincoln, Latin Motet: Ind. Printed Coll. 15-1600 |
220,00 |
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Vol. LX/1 |
Bryan Gillingham, Secular Medieval Latin Song: Anthology |
180,00 |
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Vol. LX/2 |
B. Gillingham, Critical Study of Secular Medieval Latin Song |
116,00 |
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Vol. LX/3 |
B. Gillingham,
Social Background to Secular Medieval Song |
68,00 |
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Vol. LXI |
Johannis de Muris, Musica Speculativa, Ed. S. Fast |
92,00 |
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| 0-931902-87-8 |
Vol. LXII/1 |
N. van Deusen,
The Cultural Milieu of the Troubadours and Trouvères |
52,00 |
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Vol. LXII/2 |
N. van Deusen,
The Medieval West meets Rest of the World |
50,00 |
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Vol. LXII/3 |
N. van Deusen,
Tradition and Ecstasy: Agony of the 14th Century |
80,00 |
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Vol. LXII/4 |
N. van Deusen,
Design & Production Medieval & Early Modern Europe |
64,00 |
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Vol. LXII/5 |
N. van Deusen, Medieval Germany: Associations & Delineations |
48,00 |
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| 1-896926-36-3 |
Vol. LXII/6 |
N. van Deusen, Issues in Medieval Philosophy |
68,00 |
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Vol. LXII/7 |
Giudice/Deusen, Performing Ecstasies: Music, Dance & Ritual… |
86,00 |
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| 978-1-896926-91-9 |
Vol. LXII/8 |
N. van Deusen, Procession, Performance, Liturgy and Ritual |
92,00 |
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Vol. LXIII |
B. Gillingham,
Indices to the Notre-Dame Facsimiles |
36,00 |
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| 0-931902-92-4 |
Vol. LXIV |
J. Halmo,
Antiphons for Paschal Triduum Easter |
58,00 |
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Vol. LXV/1 |
HISTORIÆ: B. Haggh, Two Offices for St. Elizabeth of Hungary |
48,00 |
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Vol. LXV/2 |
HISTORIÆ: D. Hiley, Historia Sancti Emmerammi |
52,00 |
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Vol. LXV/3 |
HISTORIÆ: R. Hankeln, Historia Sancti Dionysii Areopagitæ |
50,00 |
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| 1-896926-23-1 |
Vol. LXV/4 |
HISTORIÆ: R. Hankeln, Historia Sancti Erhardi |
44,00 |
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| 1-896926-32-0 |
Vol. LXV/5 |
HISTORIÆ: Boyce/Coleman, Officium Presentationis BVM |
48,00 |
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| 1-896926-43-6 |
Vol. LXV/6 |
HISTORIÆ: Jean-Francois Goudesenne, L'Office Romano Franc des |
56,00 |
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Saints Martyrs Denis, Rustique et
Eleuthère |
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| 1-896926-45-2 |
Vol. LXV/7 |
HISTORIÆ: David Hiley, Historiæ Sancti Wolfgangi Episcopi |
56,00 |
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Ratisbonensis |
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Vol. LXV/8 |
HISTORIÆ: Juri Snoj, Two Aquileian Poetic Offices |
68,00 |
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| 1-896926-61-4 |
Vol. LXV/9 |
HISTORIÆ: Zsuzsa Czagány, Historia de Sancta Martha
Hospita |
48,00 |
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Christi |
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| 1-896926-62-2 |
Vol. LXV/10 |
HISTORIÆ: Hermannus Contractus, Historia
Sanctæ Afræ Martyris |
64,00 |
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Vol. LXV/11 |
HISTORIÆ: Martha Fickett, Historia Sancti Martini |
56,00 |
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Vol. LXV/12 |
HISTORIÆ: Klaus Thomayer,
Historia Sancti Achacii |
52,00 |
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Vol. LXV/13 |
HISTORIÆ: Robert Klugseder,
Historia Sancti Simperti |
62,00 |
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Vol. LXV/14 |
HISTORIÆ: Robert Klugseder,
Historia Sancti Quirini/Chrisogoni |
64,00 |
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Vol. LXV/15 |
HISTORIÆ: Morne Bezuidenhout, Historia
Sancti Ludgeri |
80,00 |
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Vol. LXV/16 |
HISTORIÆ: Benjamin Brand, Historia
Sancti Reguli |
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Vol. LXV/17a |
HISTORIÆ: J.Bergsagel, Offices/Masses of St. Knud Lavard [facsimile] |
152,00 |
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Vol. LXV/17b |
HISTORIÆ: J. Bergsagel, Offices/Masses
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Vol. LXV/18 |
HISTORIÆ: Laszlo Dobsay, Historia
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| 0-931902-99-1 |
Vol. LXVI |
Máire Egan-Buffet, Adrian Le Roy, Traicté de Musique |
52,00 |
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Vol. LXVII |
K. E. Nelson,
Medieval Liturgical Music of Zamora |
86,00 |
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| 1-896926-02-9 |
Vol. LXVIII |
R. Smith,
French Double & Triple Motets in Mont. H 196 |
124,00 |
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| 1-896926-04-5 |
Vol. LXIX |
K. Kügle,
The Manuscript Ivrea, Bibl. capitolare 115 |
76,00 |
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Vol. LXX/1 |
P. Helmer,
Le premier et le secont livre de fauvel |
112,00 |
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| 1-896926-09-6 |
Vol. LXXI/1 |
Mallet et Thibaut, Manuscrits en écriture bénéventaine... Bénévent (1) |
168,00 |
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Vol. LXXI/2 |
Mallet et Thibaut, Manuscrits en écriture bénéventaine... Bénévent (2) |
180,00 |
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| 1-896926-16-9 |
Vol. LXXII |
Gillingham & Merkley, Chant and Its Peripheries: Essays for T. Bailey |
88,00 |
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| 1-896926-18-5 |
Vol. LXXIII |
D. Pesce,
Guido d'Arezzo's Regule Rithmice, Prologus in |
120,00 |
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Antiphonarium, and Epistola ad
Michahelem |
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| 1-896926-24-x |
Vol. LXXIV |
J. Szövérffy,
Lateinische Conductus-Texte des Mittelalters |
74,00 |
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| 1-896926-29-0 |
Vol. LXXV |
Hans Tischler, Conductus and Contrafacta |
76,00 |
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| 1-896926-31-2 |
Vol. LXXVI |
D. Wulstan, The
Emperor's Old Clothes: the Rhythm of Medieval Song |
116,00 |
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| 1-896926-44-4 |
Vol. LXXVII |
John Emerson/Lila Collamore, Albi, B.M.
Rochegude, MS 44 |
120,00 |
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| 1-896926-51-7 |
Vol. LXXVIII |
Stewart/Wulstan, The Poetic&Musical Legacy of Heloise and Abelard |
76,00 |
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Vol. LXXIX |
T. Bailey, The
Transitoria of the Ambrosian Mass: Compositional... |
74,00 |
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| 1-896926-64-9 |
Vol. LXXX |
George Sawa, Music
Performance Practice in the Early cAbbāsid Era |
80,00 |
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[also available in paperback] |
40,00 |
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| 1-896926-67-3 |
Vol. LXXXI |
Heinz Ristory, Denkmodelle zur
französischen Mensuraltheorie des |
144,00 |
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14.
Jahrhunderts |
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| 1-896926-71-1 |
Vol. LXXXII |
Máire Buffet, Manuscript Sources of
French Music Theory |
112,00 |
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Vol. LXXXIII |
Bryan Gillingham, Music in the Cluniac
Ecclesia: a Pilot Project |
96,00 |
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| 1-896926-77-0 |
Vol. LXXXIV |
Jane Hardie, Commemoration, Ritual and
Performance: Essays… |
66,00 |
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| 1-896926-78-9 |
Vol. LXXXV |
Clyde Brockett, Letania and Preces:Music
for Lenten-Rogations Litan |
56,00 |
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| 978-1-896926-90-2 |
Vol. LXXXVI |
Illo Humphrey, Boethii: De Institutione
arithmetica libri duo |
120,00 |
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| 978-1-896926-89-6 |
Vol. LXXXVII |
Bailey/Dobszay, Studies in Medieval Chant
and Liturgy…David Hiley |
120,00 |
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| 978-1-896926-88-9 |
Vol. LXXXVIII |
Heinz Ristory, Kritik und Methode in
musikhistorischer Spaetmittel… |
40,00 |
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| 978-1-896926-95-7 |
Vol. LXXXIX |
Bryan Gillingham, Indices to Fitzwilliam
Museum MS 369 |
164,00 |
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| 978-1-896926-96-4 |
Vol. XC |
D. Hiley/G. Kiss, Dies est leticie:
Essays on Chant for Janka Szendrei |
128,00 |
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Vol. XCI |
Roman Hankeln, Political Plainchant:
Music, Text and Historical… |
80,00 |
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Vol. XCII |
Terence Bailey, The Chants of the
Ambrosian Offertory . . . |
76,00 |
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| 978-1-896926-98-8 |
Vol. XCIII |
George Sawa, Rhythmic Theories and
Practices in Arabic Writings |
120,00 |
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Étude méthode non-invasive potentiels hisiens |
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Das Leben und Wirken von J-Marion Sims |
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Vol. III |
L. Dittmer,
Die Ludendorff Brücke in Remagen 7.
März 1945 |
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We no longer accept wire payments owing to
high bank charges. |
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| Attention
- New Website: http://www.medievalmusic.ca |
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| Note:
the prices above are in Euros, but we do bill in other currencies. |
Compiled: Sept. 1, 2010 |
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